Mia is an aching lullaby that sounds like a sequel to Lush’s delicate closer, Anytime. Jordan ties off the record with its most vulnerable moment. It’s sonically varied too, with synth-led numbers like Valentine and Forever (Sailing) balanced by signature Snail Mail guitar-driven rock tracks Headlock and Glory. ![]() But there’s nothing fluffy about it Jordan’s delivery is clean, precise and exudes confidence well beyond her years. It’s an album of growers, taking its time to reach unconventional climaxes. 'Moved on but nothing feels true', she laments on Ben Franklin, following it with the gut punch: 'Sometimes I hate her just for not being you'. Still, there are flashes of the stubborn candour that made Lush so memorable. ![]() Where Lush was agonised, anxious, Valentine finds a new serenity Jordan takes a step back from her emotions and makes deeper observations of her experiences.
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